Eyes and Fields. Rose Lowder and Kazimiera Zimblytė

Sunset Every Two Years 30
Borders are Nocturnal Animals 28
Obscene west. BMW Sparta 25
Sync. Jurgis Tarabilda 24
NSRD: Information About a Transformed Situation 22
ArtVilnius’24 Project zone. Agency: of Mice, Scene, and Machines 20
Clay Playground
And I’m Only Human. Monika Radžiūnaitė 16
Experiments’ platform’23 13
Overseeing 6 achres. Collective gardens 12
If Disrupted... it becomes tangible 08
Politics of Space 04
Melioration 03
KAH 50: Living house 02
Experiments’ platform’22 01

Publications
Me and Them
„Briefai“, „promptai“ ir „errorai“: savireguliacija kritinės architektūros lauke
Eksperimentų platforma 2023
Eksperimentų platforma 2022

Pievos ir akys. Rose Lowder ir Kazimiera Zimblytė

Nov 27 2025

MO Museum

The exhibition acts as a double exposure—two distant artistic worlds sharing the same air without ever fully merging. The spatial architecture does not claim solidity here; instead, it lingers somewhere between surface and structure. Paper walls rise lightly from a visible wowen wooden grid, less as partitions than as traces of holding. Their rhythm recalls Kazimiera’s eaving rather than building, a slowly assembled lines that feel temporary, attentive. The choice of starched paper is both practical and ethical: a modest material asked to do more than it should, echoing Kazimiera Zimblytė’s belief that intensity does not require excess, only care, as well as brief link to starched potato sacks.

Within this soft framework, Rose Lowder’s films gather in darker pockets—small chambers of light and pulsation—where moving images flicker like afterimages behind closed eyes. These cinematic capsules are not fully sealed intentionally; their glow seeps through seams, gaps between paper layers, staining nearby surfaces with rhythm and color. Motion leaks into stillness. Film settles into texture.

The space behaves like fabric rather than architecture: porous, layered, slightly unstable and beamer light becomes a material that drifts, stains, and accumulates. The exhibition does not insist on clarity or hierarchy. Instead, it invites a kind of lingering between a conversation that never happened.

A double exposure—paper and film linger in a conversation that never took place.

team:

Artists:
Rose Lowder and
Kazimiera Zimblytė

Curators:
Inesa Brašiškė,
Miglė Survilaitė

Architecture:
Gabrielė Černiavskaja

Producing architect:
Dominykas Šavelis

Technical implementation:
Rokas Janušonis, Matas Janušonis, Aismantas Čenkus,
Vykintas Šorys, Vadim Šamkov,
Vytis Jančiūnas

Coordinator:
Agnė Kuprytė

Translator:
Alex Bondarev

Editors:
Audra Kairienė,
Darius Sužiedėlis

Image still from Rose Lowder film. Photo by Laurynas Skeisgiela @elaiela.archive

Photo by Laurynas Skeisgiela @elaiela.archive